Here is a wonderful and graphic print made by artist, James Pollock in 1980. You can see that he has signed the art piece in pencil. The print is custom framed in a coordinating black frame with silver trim.

You may read all about James’ amazing life and contributions. He notably was named Artist of the Year by the South Dakota Cowboy and Western Heritage Hall of Fame (now known as South Dakota Hall of Fame) in 1980, the first year the award was given.

Unique Pop Art silkscreen by famous Dutch pop art pioneer Woody van Amen (born 1936), 1968. Van Amen attended the Academy of Fine Arts in Rotterdam in 1956, after which he travelled to the United States and studied at Cooper Union in New York from 1961-1963. The period he spent in New York was a formative moment in his career and life; he became acquainted with Robert Rauschenberg, Andy Warhol, and other artists at the forefront of defining Pop art in United States. He later returned to the Netherlands and implemented a newborn pop aesthetic in his work. This particular work is part of the Permanent Wave, third series. The silkscreen has a textured plastic front and an aluminium frame. The work is stamped and signed at the backside: ‘Aan het strand stil en verlaten’ which can be translated into ‘At the beach quiet and deserted’. Unique playful work in good original condition.

1980’s Cult Classic “ Leon the Professional” movie poster in black metal frame ready to hang on your wall
Size : 36” x 24”
Plexi front

Marie Laurencin
Three friends with a guitar, 1928
Lithograph

Lithograph on China paper measuring 31 x 42 cm.
Signed in the plate.
Printed in the Atelier Mourlot.

Excellent condition. This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity

issues arising from misattribution

Bernard Buffet (after) – Paintings for a museum, 1970-1976. Exhibition poster on paper (signed in the plate). Publisher: Galerie Maurice Garnier, Paris, 2006. Good condition, 78 x 53 cm This piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity

issues arising from misattribution

Vintage Keith Haring exhibition cards 1988-1990:
A highly collectible set of three vintage original Keith Haring exhibition cards (1987-1990):

“Keith Haring: Sculpture & Painting” January 17 to February 14 1987 at Tony Shafrazi Gallery, NY.

“Keith Haring Recent Work” December 3rd 1988 – January 7th 1989 at Tony Shafrazi Gallery, NY.

“Keith Haring: Sculptures” Nov. 8 – Dec. 22, 1990 at Tony Shafrazi Gallery, NY.

Measurements: 6 x 9 inches for two (2nd folds open to 9 x 12 in.); smaller is 4 x 6 inches.

Each very good overall vintage condition.
Image featured on 2nd invite: “Keith Haring, Untitled Sculpture (Figure Balancing on Dog), 1989”.

Josef Albers Album Art circa late 1950s:
A set of 4 vinyl record covers (containing their records) brilliantly designed by Josef Albers between 1958 and 1960. Looks fantastic framed as a group.

Offset lithograph on vinyl album cover.
12×12 inches (dimensions applies to each individual).
Covers are in very good overall vintage condition; each record is included in good to very good vintage condition.

Unsigned, from an edition of unknown.

Exhibitions & Literature:
Each featured & catalogued in the 2019 exhibition, ‘Sonic Albers’; David Zwirner Gallery, New York, NY.

Art & Vinyl (Franekel Gallery 2018).

About Josef Albers:
Josef Albers is best known for his seminal “Homage to the Square” series of the 1950s and ’60s, which focused on the simplification of form and the interplay of shape and color. His abstract canvases employed rigid geometric compositions in order to emphasize the optical effects set off by his chosen color palettes. Albers was highly influential as a teacher, first at the Bauhaus in Germany alongside Wassily Kandinsky and Paul Klee, and later with posts at Black Mountain College, Yale, and Harvard; he taught courses in design and color theory, and counted among his students such iconic artists as Eva Hesse, Richard Anuszkiewicz, Robert Rauschenberg & Cy Twombly. Albers is often cited among the forefathers of Minimalist, Conceptual, and Op art.

Gorgeous colors on this poster for John Martineau’s Art Expo in New York in 1983, featuring his work “Flight of the Ibis.” Framed but with no glass.

Bernard buffett st. Martin’s gate (1962) original lithograph hand-signed and justified in 150 proofs on rives for the paris album. Ed. Alain mazo rare dimensions of the illustration: 65 x 51 centimeters dimensions of the board: 73 x 56 centimeters reference: bernard buffet lithographer tome i, n°34 this piece is attributed to the mentioned designer/maker. It has no attribution mark and no
official proof of authenticity,
however it is well documented in design history. I take full responsibility for any authenticity

issues arising from misattribution

Bottle holder Model No. “3601” from the Carl Auböck Vienna workshop. Consisting of a curved brass rod with Raffia braid. The draft for this very practical barutensil comes from 1946. I have official proof of authenticity such as vintage catalogs,
designer records,
or other literature sources and take full responsibility for any authenticity issues arising
from
misattribution